Showing posts with label drawing. Show all posts
Showing posts with label drawing. Show all posts
Thursday, January 17, 2013
Drawing from the life
For the first time in years, yesterday I did some life drawing. When I mentioned to someone later how exhausted I felt, he said what could be tiring about being with a naked body and a pencil. Life drawing demands absolute focus and concentration, to be relaxed and yet controlled, assessing, measuring and marking. This is mentally, and to an extent, physically wearing.
Our usually garrulous class fell into the silent, rapt attention, like a flock of rooks at roost.
Our model Dave, who had never posed before, was exceptional, perhaps because he was new to it. 10 x 1 minute poses were followed by 2 x 50 minutes. He seemed staggered by the spontaneous round of applause we gave him and happily booked himself in for next week.
All of which took me back to my Foundation year at Brighton Poly, as was, where the majority of the life models were female. The one young male model we had kept his knickers on, which was puzzling. Evidently, they were concerned about arousal issues... Our Dave kept his pants on, too. Which was fine. Total nudity may have been a step too far for a group of, mostly, 60-80 year old ladies, but had he been totally nude I doubt that arousal would have been likely.
All of which tied in serendipitously with a good Sunday Times article a couple of Sundays ago, by AA Gill (not my favourite) who organised a life drawing session for himself and other notable artists. At the end Emma Sergeant, the notable figurative painter, said "Amazing, isn't it? The feeling, the silence a nude body gives to a room." Spot on.
Thursday, April 05, 2012
It's been a while
This week I had my best day for ages. Life has got no easier, the stresses are greater if anything. So what was different? Firstly, a long online meditation with Jon Kabat-Zinn. Secondly, I was on a creative high. These are some of my efforts on that day.
Speaking of which, today I tried posting on Black Dog Tribe, Ruby Wax's excellent initiative. Now that was the opposite of a good experience - sorry, Ruby. Partly because I couldn't insert an image, which was the point of the post and partly because even a breath near the advert on the right launched into a ghastly eulogy for winged false eyelashes. I know that age is no barrier to making the best of yourself, but I am now so sick of them that I feel like finding them in shops and shrieking out loud. I suppose ads help keep the site going but it needs a lot of fine tuning before it offers the support that is intended.
Thursday, February 09, 2012
familiar objects
This sketch on too thin paper, in coloured aquarelle pencils, is something I will treasure if we ever have to move from here. Not because it is any good, but each object means something, the glass oil jar, old green glass ink pot, small stone jar, glass bottle stopper, miniature pewter mug, old glass salt cellar, a pot (more of which later) and a bowl.
They are in the kitchen on some green shelves and serve absolutely no practical purpose, but beauty is more important to me, and I love the way the light falls, and the spaces between.
Maybe I will become like Morandi, and just keep painting, drawing, photographing the same few objects.The painting from this drawing is here:
The white pot has the following written on it:
They are in the kitchen on some green shelves and serve absolutely no practical purpose, but beauty is more important to me, and I love the way the light falls, and the spaces between.
Maybe I will become like Morandi, and just keep painting, drawing, photographing the same few objects.The painting from this drawing is here:
The white pot has the following written on it:
CLARKES
MIRACULOUS SALVE
FOR THE CURE OF ULCERATED BAD LEGS, BOILS, ABSCESSES
FISTULAS, BAD BREASTS & GATHERING OF ALL KINDS
Price 1/11, 2/9 & 4.6 Per Pot
PREPARED ONLY BY THE PROPRIETORS
THE LINCOLN & MIDLAND COUNTIES DRUG CO. LINCOLN
It is cracked and shabby, but a favourite treasure. Objects can give great pleasure without being valuable.
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